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・ Poems and Prayers
・ Poems and Problems
・ Poems and Songs
・ Poems and Stories (by JRR Tolkien)
・ Poems at United States presidential inaugurations
・ Poems by Currer, Ellis, and Acton Bell
・ Poems by Edgar Allan Poe
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・ Poems by Melanter
・ Poems for Midnight
・ Poems for the Hazara
・ Poems for Trio
・ Poems from Guantánamo
・ Poems from Prison
・ Poems in Prose
Poems in Prose (Wilde)
・ Poems in the Waiting Room
・ Poems of Black Africa
・ Poems of Passion
・ Poems of Today
・ Poems of Victor Hugo
・ Poems on Several Occasions
・ Poems on Several Occasions (Lady Mary Chudleigh)
・ Poems on the Underground
・ Poems on Various Subjects, Religious and Moral
・ POEMS syndrome
・ Poems, in Two Volumes
・ Poems, Prayers & Promises
・ Poems, Speeches, Thoughts and Doodles
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Poems in Prose (Wilde) : ウィキペディア英語版
Poems in Prose (Wilde)
''Poems in Prose'' is the collective title of six prose poems published by Oscar Wilde in ''The Fortnightly Review'' (July 1894).〔Oscar Wilde, ''Poems in Prose'', in ''The Fortnightly Review'' (July 1894), pp. 22–29〕 Derived from Wilde's many oral tales, these prose poems are the only six that were published by Wilde in his lifetime, and they include (in order of appearance): "The Artist," "The Doer of Good", "The Disciple," "The Master," "The House of Judgment," and "The Teacher of Wisdom." Two of these prose poems, "The House of Judgment" and "The Disciple," appeared earlier in ''The Spirit Lamp'', an Oxford undergraduate magazine, on February 17 and June 6, 1893 (respectively). A set of illustrations for the prose poems was completed by Wilde's friend and frequent illustrator, Charles Ricketts, who never published the pen-and-ink drawings in his lifetime.
==Form and Influences==

According to ''The New Princeton Encyclopedia of Poetry and Poetics'', the defining traits of the prose poem are "unity even in brevity and poetic quality even without the line breaks of free verse: high patterning, rhythmic and figural repetition, sustained intensity, and compactness."〔Alex Preminger and T.V.F. Brogan, co-editors, ''The New Princeton Encyclopedia of Poetry and Poetics'' (Princeton, NJ: Princeton University Press, 1993), p. xlvi〕 Invented in the nineteenth century, the modern prose poem form is largely indebted to Charles Baudelaire's experiments in the genre, notably in his ''Petits poèmes en prose'' (1869), which created the subsequent interest in France exemplified by later writers such as Stéphane Mallarmé and Arthur Rimbaud. In English literature, Edgar Allan Poe and Charles Kingsley were progenitors of the form.

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